“Does anyone know how hard it is to be that funny? . . . Read her book reviews. Read them now and see how good they are.”
—Fran Lebowitz
“All I wanted in this world was to come to New York and be Dorothy Parker. The funny lady. The only lady at the table. The woman who made her living by her wit . . . Who always got off the perfect line at the perfect moment, who never went home and lay awake wondering what she ought to have said because she had said exactly what she ought to have.”
—Nora Ephron, Esquire
“What gives her writing its peculiar tang is her gift for seeing something to laugh at in the bitterest tragedies of the human animal.”
—Somerset Maugham
“Length doesn’t increase depth, necessarily, and just because her little characterizations of a book were short doesn’t mean they weren’t true.”
—Gloria Steinem
COMING NOVEMBER 5
When Dorothy Parker became a book critic for the New Yorker in 1927, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the byline “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”).
Introduced by Sloane Crosley, a writer whose own rapier wit would surely have delighted Parker herself, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.
